The recreations of Andy Warhol’s work that started officially & amicably, but are now unauthorized copies of copies.
Andy Warhol worked in a variety of mediums throughout his career, but his most famous works are his silkscreen prints. His prints of Marilyn Monroe, Campbell’s Soup cans, Mao Zedong, Elvis and others changed pop culture and today sell for millions of dollars. While he produced some of these works himself he eventually created The Factory, his aptly titled Manhattan studio where an assortment of interesting characters would produce his prints for him. Like a Pop art orchestra Warhol served as the conductor, directing his assistants as they played their parts in making his art.
The 1967 collection of prints made by the Factory are referred to as the “Factory Additions” and are authentic Warhols. Authenticity begins to get murkier in 1970 when Warhol started a collaboration with two anonymous Belgian artists. Andy Warhol’s use of repetition in his art was part of a larger criticism & statement about consumerism, pop culture celebrity, and disposable mass produced goods. He took this to a new level when he gave the negatives & the color codes for several of his most famous prints to these new Belgian partners so they could start printing his work. These prints would be new editions of the work his Factory had already done for him. These secondary prints became known as the Sunday B. Morning prints.