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Ceramics (Functional)
Ceramics (Sculptural)
Editions & Prints
Multi & Mixed Media
Paintings & Drawings
Photography
The Umbrellas (Yellow)
Christo
The Umbrellas (Yellow)
Lithoserigraph
Year: 1991
Size: 14.6 × 16.4 on 19.1 × 19.9 inches
Printer’s Chop lower left
Printer: Edition Domberger – Stuttgart, Germany
Publisher: Achenbach Art Editions, Duesseldorf, Germany
COA provided (gallery issued)
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Christo Vladimirov Javacheff and Jeanne-Claude are a married couple who created environmental works of art. Christo and Jeanne-Claude were born on the same day, June 13, 1935; Christo in Gabrovo, Bulgaria, and Jeanne-Claude in Morocco. They first met in Paris in October 1958 when Christo painted a portrait of Jeanne-Claude’s mother. They then fell in love through creating art work together.
Their works include the wrapping of the Reichstag in Berlin and the Pont-Neuf bridge in Paris, the 24-mile (39 km)-long artwork called Running Fence in Sonoma and Marin counties in California, and The Gates in New York City’s Central Park.
Credit was given to “”Christo”” only, until 1994, when the outdoor works and large indoor installations were retroactively credited to “”Christo and Jeanne-Claude.”” They flew in separate planes: in case one crashed, the other could continue their work.
Other Artwork by Christo and Jeanne-Claude
Description
Christo Vladimirov Javacheff and Jeanne-Claude are a married couple who created environmental works of art. Christo and Jeanne-Claude were born on the same day, June 13, 1935; Christo in Gabrovo, Bulgaria, and Jeanne-Claude in Morocco. They first met in Paris in October 1958 when Christo painted a portrait of Jeanne-Claude’s mother. They then fell in love through creating art work together.
Their works include the wrapping of the Reichstag in Berlin and the Pont-Neuf bridge in Paris, the 24-mile (39 km)-long artwork called Running Fence in Sonoma and Marin counties in California, and The Gates in New York City’s Central Park.
Credit was given to “”Christo”” only, until 1994, when the outdoor works and large indoor installations were retroactively credited to “”Christo and Jeanne-Claude.”” They flew in separate planes: in case one crashed, the other could continue their work.