No products in the cart.
- Selection Required: Select product options above before making new offer.
- Error: There was an error sending your offer, please try again. If this problem persists, please contact us.
Ellsworth Kelly
Orange with Blue
1964-1965
Color Lithograph
Printed on Rives BFK paper by Marcel Durassier at Imprimerie Maeght, Levallois-Perret.
Size: 35.04 x 23.5 inches (88.9 x 59.69 cm)
Edition: 75 + 7 AP
Pencil signed (lower right) and numbered (lower left)
Publisher: Maeght Editeur, Paris
Ref.: Waldman 13, Axsom 14
COA provided
Questions about this piece? Send us a message!
*Condition: Deep and vibrant colors. Image and sheet intact. No tearing, creasing, discoloration, yellowing, foxing or staining.
Ellsworth Kelly (May 31, 1923 – December 27, 2015) was an American artist known for his contributions to hard-edge painting, Color Field painting, and minimalism. His work, often featuring bright colors, emphasized line, color, and form, akin to John McLaughlin and Kenneth Noland. Kelly lived and worked in Spencertown, New York. In the mid-1960s, he began focusing on printmaking, producing his “Suite of Twenty-Seven Lithographs” (1964–66) in Paris. From 1970, he collaborated mainly with Gemini G.E.L., creating notable series like the “Suite of Plant Lithographs” and “Mirrored Concorde” (1971). His eighteen-foot “Purple/Red/Gray/Orange” (1988) is one of the largest single-sheet lithographs ever made. Kelly’s fascination with water is evident in his later works, including “The River” series. In 1975, he was the first artist to exhibit in the Wadsworth Atheneum Museum of Art’s MATRIX series. Known for his single-color, shaped canvases, Kelly’s work, such as “Block Island Study” (1959), is marked by subtle, precise lines and an implied perfection.
#EllsworthKelly #AmericanArtist #HardEdgePainting #ColorFieldPainting #Minimalism #ModernArt #Printmaking #BrightColors #ShapedCanvases #ArtHistory #GeminiGEL #ContemporaryArt #FineArt #ArtExhibition #ArtCollection #SpencertownArtist #SuiteOfLithographs #PlantLithographs #ArtAndWater #MATRIXSeries #WadsworthAtheneum #AbstractArt #ArtInspiration #ArtCommunity #IconicArtworks #ArtisticGenius
Other Artwork by Ellsworth Kelly
Description
*Condition: Deep and vibrant colors. Image and sheet intact. No tearing, creasing, discoloration, yellowing, foxing or staining.
Ellsworth Kelly (May 31, 1923 – December 27, 2015) was an American artist known for his contributions to hard-edge painting, Color Field painting, and minimalism. His work, often featuring bright colors, emphasized line, color, and form, akin to John McLaughlin and Kenneth Noland. Kelly lived and worked in Spencertown, New York. In the mid-1960s, he began focusing on printmaking, producing his “Suite of Twenty-Seven Lithographs” (1964–66) in Paris. From 1970, he collaborated mainly with Gemini G.E.L., creating notable series like the “Suite of Plant Lithographs” and “Mirrored Concorde” (1971). His eighteen-foot “Purple/Red/Gray/Orange” (1988) is one of the largest single-sheet lithographs ever made. Kelly’s fascination with water is evident in his later works, including “The River” series. In 1975, he was the first artist to exhibit in the Wadsworth Atheneum Museum of Art’s MATRIX series. Known for his single-color, shaped canvases, Kelly’s work, such as “Block Island Study” (1959), is marked by subtle, precise lines and an implied perfection.
#EllsworthKelly #AmericanArtist #HardEdgePainting #ColorFieldPainting #Minimalism #ModernArt #Printmaking #BrightColors #ShapedCanvases #ArtHistory #GeminiGEL #ContemporaryArt #FineArt #ArtExhibition #ArtCollection #SpencertownArtist #SuiteOfLithographs #PlantLithographs #ArtAndWater #MATRIXSeries #WadsworthAtheneum #AbstractArt #ArtInspiration #ArtCommunity #IconicArtworks #ArtisticGenius